01The work is a series of projects
A campaign, a title, a series or a build has a start and an end. The people on it may never work together again. Waiting for an annual review means the detail of six projects is lost. Studios that manage performance well hold a short retrospective at the end of each project and write a few lines about each person’s contribution while the client or the audience response is still known.
02Creative progression needs its own framework
A junior designer, a mid-weight copywriter and a creative director are judged on craft, but also on how they take a brief, present to a client and develop others. Without a published progression framework, promotions follow whoever is closest to the founders. A simple ladder with three or four levels per discipline gives the review a shared language and makes salary bands defensible.
03Freelance and permanent, one picture
Freelancers can be a large share of a studio on a busy month. They are managed through their contract, not through appraisal, but the studio still needs to know who was excellent and who should not be booked again. A simple end-of-project note, kept in the same place as permanent staff feedback, gives producers and resourcing leads one view of the talent they rely on.
04Several offices, one managing director
A studio with offices in two or three cities often runs performance by the personality of whoever leads each office. The managing director wants to know that reviews happened everywhere, that pay conversations are consistent and that the strong people in the smaller office are visible. A shared cycle with light forms does that without adding a layer of process the culture would reject.